Beastly, by Alex Flinn
Flinn, Alex (2007). Beastly. NY: HarperTeen (Harper Collins). 300 pages.
The ninth-grade son of a famous (and wealthy) New York newscaster, Kyle is, simply put, an asshole. He's rich, he's good looking, and he knows it. Which is probably why he's so mean to kids who aren't in his "league" and definitely why he hatches a plan to humiliate the kind of nerdy, semi-goth-y, girl at school who challenges him. After he makes plans to meet this girl at the big school dance (where he is a shoe-in to be crowned ninth grade prince), he publicly shames her by showing up with his sexy girlfriend and announcing that he had never intended to escort her at all. Turns out, this girl--Kendra--is actually a witch, and she exacts revenge by putting a transformation curse on Kyle, changing his appearance from studly teen to hairy beast. The one cure for this spell: Kyle must find a girl to love him--beastly appearance and all--within two years; otherwise, he'll spend the rest of his life a monster.
Because Kyle's father can't handle Kyle's make-under (and because Kyle's father, like the pre-beast Kyle, is an appearance-obsessed ass), Kyle is sent to live in Brooklyn where he stays indoors and is tutored by a blind man. He does, however, discover a passion for growing roses in his walled backyard. Can you see where this is going? With Beastly, Flinn tells the "Beauty and the Beast" story from the point of view of the beast and sets it in contemporary NYC to boot.
Flinn's novel is mostly successful and Kyle's first-person description of life as a beast--albeit a rich beast--is surprisingly sympathetic. The only problem: I had a hard time believing in the Kyle we meet at the beginning of the story. The rich, good-looking asshole who sets up the school outcast, Carrie-style, is just a little too common. I'd rather read a more subtle portrayal of teen jerkiness; however, because the story is really about the internal transformation effected after the physical one, this trope can be excused. The chat-room excerpts that pepper the novel in which other contemporary "victims" of fairy-tale curses vent about their uncommon plights are less excusable. The whole novel would benefit without these secondary characters' input.
That said, the 300 page novel moves quickly and, in spite of the fact that the bones of the story are familiar, manages to change things up enough to keep the heart of the tale fresh and even incorporate some surprises.